Education:
M.F.A. The University
of North Carolina at
Chapel Hill.* Emily Pollard Fellowship, Teaching Assistantship, Research
Assistantship.
B.F.A. The Maryland
Institute College of Art. Baltimore, Maryland.* Keyser Ephram Merit Award.
Teaching/Professional Experience:
Artist and Education Consultant.
Present.
DJ & Commentator. WCOM-FM. Carrboro,
NC. 12/2007-Present.
Field Research Producer. Brave
New
Films. 1/2006-4/2006.
Mid-Atlantic Arts Foundation.
Baltimore, Md. Panel Consultant. 9/2005-12/2005.
Durham Technical Community College. Durham, NC. Adjunct Faculty.
1997-2003.
*Excellence
in Teaching Award, 1999.
Duke University Craft Center. Durham, NC. Instructor/Studio Manager.10-12/1999.
Meredith College. Raleigh, NC. Assistant Professor.
8/1994-8/1996. Instructor.8/1989-8/1994.
Director of Galleries/Artist-in-Residence. 8/1987-8/1989,
University of North Carolina at Chapel Hill. Hanes Art Center.Visiting
Artist Lecturer coinciding with exhibition. 1/12/95.
Collegiate Press. Alta Loma, Ca. Editorial Advisor.
9/1995-12/1995.
Meredith College. Raleigh, NC. Visiting Artist. *Coinciding
with exhibition. March 9-18,1987.
The University of North Carolina at Chapel Hill. Department of
Microbiology. Wilson Hall. Assistant
Photographer. 1985-1986.
The University of Massachusetts. Columbia Circle. Boston, Ma. Lecturer.
8/1984-12/1984.
Ackland Museum of Art. The University of North Carolina. Chapel Hill, NC. Exhibition Designer. 5/1983-9/1983.
Nelson-Atkins Museum. Kansas City, MO.
Lead Instructor (Advanced CreativeArts/Multiple Expressions Program).
6/1981-7/1982.
Lectures/Gallery
Talks:
University of Ghent. Belgium. Landscape & Biomass Transformations.
7/10/2006.
Durham Technical Community College. Durham, NC.“Automobile Culture Interpretations”.
5/9 & 5/10, 2000. Anthropology Division.“Purpose, Methods and Invention”.
11/16/99.
Jose Marti National Library, Havana, Cuba. *In conjunction with
exhibition,"Toxic
Landscapes". June 14, 2002.
Vermont Studio Center. Johnston, VT. “Summation”. February, 18, 2000.
SUNY Buffalo. Buffalo, NY. “Bodies of Force to Form”. 4/28/1999.
Duke University Museum of Art. Durham, NC. “Looking at Land”. 1998.
North Carolina State University. School of Design. 10/7/94.
Peace College. Raleigh, NC. 10/14/92.
The University of North Carolina at Chapel Hill. 6/87-8/87.
Loyola University. Chicago, Ill. “Roles of the college art gallery”. 6/20/97.
Contemporary Arts Center. North Adams, Ma. “Automatic and Quiet Force”.
July 1996.
Courses Taught:
Visual Thinking
Beginning
& Intermediate Sculpture
Advanced
Painting
Drawing I & II
Photography
I & II
Independent
Study
2D & 3D Design
Art
History Survey I & II
Senior
Seminar
Art
Appreciation
Film
Seminar
Mixed
Media
Panel Participation:
- Cuban Ministry of Science & Culture. Biodiversity Conference.
Havana,
Cuba.*In association with The Puffin
Foundation, Teaneck, NJ. June 2002.
- Protest Art from Chile. 9/25/02. Terror and Resistance.
* Teaching
and Learning Center.Professional Development Committee.
Durham Technical Community College.
- The Strollway Public Art Project. Winston-Salem, NC. Landscape/Sculpture
Design Team. June 1990.
Awards/Honors/Residencies:
2004 Silver Magnum Opus Award. Book cover design.
Robby Poore & Caroleigh Robinson.
2002 Green Hill
Center for North Carolina. Artist Honoraria.
Greensboro,
NC.
2000 Artist
Residency Fellowship Award. La Napoule Art Foundation. La Napoule, France. North Carolina
Arts Council. Raleigh, NC.
Artist’s
Grant Award. Vermont Studio Center. Johnson, Vermont.
1999 Excellence
in Teaching Award. Durham Technical Community College. Durham, North
Carolina.
1996 Walter
Hopps & Thomas Krens Award.
Artist-in-Residence.Contemporary
Artist’s Center. North Adams, Ma.
Curator Grant. Raleigh Arts Commission. Raleigh, NC.
Faculty Development Grant(s). Meredith
College. Raleigh, NC.(1987-96).
1995 Honoraria.
University of North Carolina at Chapel Hill. Department of Art.
Emerging
Artist Grant. Durham Arts Council. Durham, North Carolina.
1993 Visiting
Artist. Workspace. Leeds, England.
Project
Honoraria. Arts Festival of Atlanta. Atlanta, Georgia.
1991 Emerging
Artist Grant. Raleigh Arts Commission. Raleigh, NC.
Project Honoraria. Waterworks Visual
Arts Center. Salisbury, NC.
1988 Project
Honoraria. Connemara Conservancy Foundation. Dallas, TX.
1987 Project Honoraria.
Heritage Village Auxiliary Jewish Center.Columbus,OH.
Project
Honoraria. Fayetteville Museum of Art.
Fayetteville, NC.
Artist-in-the-Schools Grant. North
Carolina Arts Council. Raleigh, NC.
North Carolina Arts &
Humanities Award. Parks and Recreation Society.
Commercial Commissions:
1999 Tryon Center
for Visual Art Charlotte, NC. “Hello Again”. Spirit Square.Installation:“
Interstate Archeology”.
1989 Duke
University Medical Center. Durham, North Carolina. Design Team.The Strollway. Winston-Salem, NC.
Landscape/Sculpture Design Team.
Selected Individual Exhibitions:
2006 Leaping Pigments. Carugo
Gallery, Cannes, France.
2005 Travel
Maps. Joie Lassitor
Gallery. Charlotte, NC.
2002 50/50. Blood and Oil. 101 Marco Space. Prague, Czech Republic.
2000 Landscapes
Redefined. Pinkerton
Consulting Investigation, Charlotte,
NC.
Les Belles Images Mentent. Villa Marquerite and Galerie
Blanche. Association d'art de La Napoule,
France.
1999 Subdivision/Spatial
Envelopes. 25
Jay Street Space. Down
Under the Brooklyn Bridge Arts Festival. Brooklyn, NY.
1998 Restless
Nature. Modern
Museum. Durham, NC. Jim Kellough, Curator.
Ground
Control. LUMP
Gallery. Raleigh, NC.
1997 Matter
Revealed. Durham
Art Guild. CCB Visual Art Gallery. Durham, NC. Traces of
Civilization-Crooked Line. John and June Allcott Gallery. UNC @ Chapel
Hill.
1995 Pond
Lake. Outdoor
installation. Carrboro Community Park. Carrboro, NC.
1989 Collision
Fields & Strange Attractors. Waterworks Visual Art Center. Salisbury, NC.
1987 Beneath
the Voice. Installation.
Carrboro Community Park. Carrboro, NC.
1984 New
Work. Devoe
Gallery. Kansas City, Missouri.
City
Streets. Washington
Project Center for
the Arts. Washington DC.
Selected Group Exhibitions:
2007 Art in a Box Holiday Art
Exhibition for AIDS Orphans and Children at Risk. Cheryl Pelavin
Fine Arts on December 15, 2007.
2006 You
are Here. University
of Ghent. Dr. Gui, Curator.
Group Show.
Joie Lassiter
Gallery. Charlotte, NC.
2005 Road
in Sight. Duke
University. Jessica West & Lauren Miller,
Curators.
2004 Women in the Middle: Borders, Barriers and Intersection. National Women Studies Association Conference. Milwaukee, WI.
Toxic
Landscapes - Artists Examine the Environment. Long Beach
Island Foundation of the Arts and Sciences. Loveladies, N.J.
Loom3-Labeler.
Pittsboro Old
Mill Business Center. Pittsboro, NC. elin o’hara slavik and Jeff Waites, Curators.
2003 Globalization. A Shenere
Velt Gallery of The Workmen’s Circle/Arbeter Ring.Los Angeles, Ca.
Blood
& Oil. The
Tire Shop Gallery. Raleigh, NC.
2002 Grand Arts at Green Hill. Green Hill
Center for Art. Greensboro, NC Sean Kelly,
Curator.
Toxic
Landscapes - Artists Examine the Environment. El Reino del
Mundo Gallery. Jose Marti Biblitoeca.
Havana, Cuba. Tim Blunk,
Curator. Puffin Foundation, Ltd. Teaneck, NJ.
Toxic
Landscapes –Artists Examine the Environment. Tim Blunk, Curator.Associated Artists of Pittsburgh
Gallery. Rachel Carson Institute at Chatham College. Pa. * In-conjunction with
We Are Here and WASTE (Women Assess the State of the Environment).
2000 Herb
Parker and Caroleigh Robinson. Joie Lassiter Gallery. Charlotte, NC.
Journees Portes Ouvertes. Installations
des Plasticiens en residence. Association d’art de La Napoule, France.
Turning
Point 2000.
TrizecHahn Office Properties. Charlotte, NC. Joie
Lassiter, Curator. (brochure).
1999 Caroleigh
H. Robinson & Laura Ames Riley: Interstate Archeology
Tryon Center for Visual Art. Carolina Theatre. Charlotte, NC.
Women
Who Shoot. CCB
Visual
Art Gallery. Durham Art Guild. Durham, NC. Art on Paper. Weatherspoon Art Gallery.
UNC-Greensboro. Amy
Cappellazzo and Laura
Hoptman, Curators. (catalog).
From
the Earth. Slidell
Cultural Art Center. New Orleans, LA. Nolan
Lefort,
Curator.
When
Toys Bite Back.
LUMP Gallery. Raleigh, NC. Todd Trigstedt, Curator.
Lest
We Forget - A National Survey of Artist’s Responses to the Gulf War. Robert & Mary Montgomery Armory Art Center. Colaciello Gallery. West
Palm Beach, Florida. Kathleen Holmes, Curator.
Looking
at Land. Duke University Museum
of
Art. Durham, NC. Chuck Twardy, Curator.
1997 From the Driver’s Seat: Exploring the
Impact of the Automobile of the 20th Century. Hickory
Museum
of Art. Hickory, NC. Thomas Perryman, Curator.
National Mixed Media Exhibition. Slidell
Cultural Arts Center. New Orleans,
LA. Ted Potter, Curator.
Women
in Film/Woman Incarnate. Forum + Function. Raleigh, NC.
Issues.
Contemporary
Artist’s Center Gallery. North Adams, Ma.
Coast
to Coast-Urban/Suburban Blight. Municipal Gallery. Raleigh, NC. Caroleigh
Robinson, Curator.
1995 The
Exquisite Corpse/The Homogeneous Box. Artspace. Raleigh, NC.
Traveled
to Fayetteville Museum of Art, Fayetteville, NC.
Nancy
Baker/Max Halperan, Curators.
Debased.
Plan-B
Gallery. Memphis, TN. Greely
Myatt & Jim Raymer, Curators.
Wheel. Broward
Community College. Fine Arts Gallery. Ft. Lauderdale, Fl. Ted Potter, Curator.
North
Carolina Photographer’s Annual. Meredith College. Raleigh, NC. Martha Chahroudi,
Curator.
Philadelphia Museum of Art.
58th Midyear National
Painting Exhibition. Butler Institute of American Art.
Youngstown,
Ohio. Robert Stackhouse, Curator.
Creating
Feminist Images.
Telemanita Video Festival: México.
Cuernavaca,
Morelos Mexico. Catherine Russo, Curator.
1993 New
Art in the Triangle. Duke University Museum of Art. Durham, NC.
Jill Meredith, Curator.
Dress-up. Arts Festival
of Atlanta. Video Program.
Atlanta, Ga.
Cheryl
Chisholm, Curator.
Sculpture.
14 Sculptor’s
Gallery. NY, NY. Donald Kuspit, Curator.
The 1990’s:
How We See It: International Video Festival. Deep Dish TV.
Boston,
Ma.
Measuring
Up. Virginia
Beach Arts Center. Virginia Beach, VA.
Brooke
Alexander, Curator.
NICAF
Yokohama. International Contemporary Art Fair. Yokohama, Japan.
Benefit
Auction. City
Gallery of Contemporary Art. Raleigh, NC.
Sculpture. Kinston
Art
Center, Kinston, NC. *Best Sculpture Award.
Dennis
Szackas, Curator. Jewish Museum, NY, NY
1992 Group
Show. Michael
Walls Gallery. NY, NY.
1991 Group
Show. Raleigh
Contemporary Art Gallery. Raleigh, NC.
1990 Competition
Diomede. The
Clocktower Gallery. NY, NY.
Trends
and Directions.
Pleiades Gallery. NY, NY.
April Kinsley,
Curator.
National Works and Paper. Stedman
Gallery. Rutgers’s University.
Camden, New
Jersey. Lowery Stokes Sims & Carter Ratcliff, Curators.
1988 Atlantic
Jam. Connemara
Conservancy Foundation. Dallas, TX.
Amy Monier,
Curator.
Pond
Lake-Vertical Formation. Heritage Village Auxiliary Jewish Center.
Sculpture/Performance
International. Columbus, Ohio.
1987 Festival
Sculpture: Caroleigh H. Robinson, Patrick Dougherty, Tom Grubb.
Fayetteville
Museum of Art. Fayetteville, NC.
Barbara
Hayward, Curator.
1985 Northern
Telecom Sculpture Exhibition. *traveled to Glaxo-Welcome.
RTP, NC.
(catalog).
1984 North
Carolina Artist’s Exhibition. North Carolina Museum of Art.
Raleigh, NC.
Howard Fox, Curator. (catalog).
National
Exhibition.
Museum of the Hudson Highlands.
Cornwall-on-the-Hudson,
NY. Ivan Karp, Curator.
Slide
Registry Profile and Online Website Listings:
URL >
http://caroleigh_robinson.tripod.com\caroleighrobinson\
Artist’s Space.
NY, NY. http://www.artistsspace.org/afonline/default.lasso
Artists for Peace and Justice >
http://www.taparts.org/GalleryAnthDetails.cfm?AnthologyID=235
Private and Corporate Collections:
Association
d’art de La Napoule, La Napoule, France.
Marty
Baird. Raleigh, North Carolina.
Mr. & Mrs. David A. Berke. Palm
Beach Gardens, Florida.
Capitol
City Lumber, Inc. Raleigh, North Carolina.
City
of Raleigh, North Carolina. Art in Public Places.
Kent
Davis. Raleigh, North Carolina.
Morris
Museum of Art. Augusta, Georgia.
Norton
Dickman, Musician. Pittsboro, NC.
Eastowne
Clinical Association. Chapel Hill, North Carolina.
Lynn
Francis, Professor. University of North Carolina at Chapel Hill.
Amy
Jeroloman. Chapel Hill, North Carolina.
Jim
Kuehn. Raleigh, North Carolina.
Joie
Lassiter. Charlotte, North Carolina.
Brandt
Maehr. Bahama Foods Specialty. Bahama, North Carolina.
Lisa
McCamry. Wake Forest, North Carolina.
Gail
Schaefer. Efland, North Carolina.
Tryon
Center for Art. Charlotte, NC.
Selected Bibliography:
Albright,
Jenny. “Artist Designs Work to Promote Nature”. The News
& Observer.
Raleigh, North Carolina. 7/18/86.
(article & reproductions).
Art on Paper. 1998/1999. Weatherspoon
Art Gallery.
UNC-Greensboro,N.C.
(catalog).
Aura
of the Arts. Art View Magazine. Md. D.C. Va. Autumn 1979. (photographs).
The
Baltimore Sun. Magazine. Baltimore, Maryland. July 10, 1977. (photograph).
Bloomer,
Carolyn M. Principles of Visual
Perception. 2nd. Ed. Design Press.
New York, New York. 1990. (photograph).
Brown, Linda Luise. Creative Loafing
– reviews and analysis. Charlotte Observer.
Women Add Strength to Current Art
Scene. November 2000.
City Paper.
Baltimore, Maryland. 1977-1979. (photographs).
Davis-Chopin, Eloise. Art
Expressions. “Of War and Peace”.
West Palm Beach, Florida. April 98. (exhibition review).
Cuba
T.V. Interview. Toxic Landscapes Exhibition. El Reino del Mundo Gallery.
Jose
Marti Bibliotheca. Havana, Cuba.
13 July 2002.
The
Durham Morning Herald. “Floating Sculpture Wins State
Award
for Carrboro”. Carrboro, NC.
November 25, 1986. (article).
Expo
Magazine. Baltimore, Maryland. Oct/Nov 1983. Vol.1 No.4. (photograph).
Greenberg,
Blue. “Enigmas and Experiments in Raleigh Galleries”.
Preview
Magazine. Durham, NC. The Herald-Sun Newspaper. 4/4/93.
Halperen,
Max. “Exhibition Review/Matter Revealed”. The Spectator Magazine.
Raleigh, NC.
May 15,1997. (Article) “Venture Habitats”. July 10,1993.
(exhibition
review).
Hill-Gant,
Cathy. “Art on Paper/It’s the year of the N.C
artist”.
News &
Record.
Greensboro,
North Carolina. November 7, 1998. (exhibition review).
Jarmusch, Ann. “Sculpture Finds
Home at Connemara”. Dallas, Texas.
The Dallas
Times Herald. Dallas, Texas. March 25, 1988. (article).
Kutner, Janet. “Art Springs Eternal
at Connemara”.
Dallas Morning News.
Moose,
Debbie. “Making a Splash at Meredith”. The Raleigh Times. Raleigh,
NC.
March
14, 1987. (article & reproductions).
Morton,
Julia. “Conflicts and the nature of art”. The Chapel Hill News.
May 2, 1999.
Patterson,
Tom. “The almighty Automobile gets a little banged
up in an
engaging
show at Hickory”. Winston-Salem Journal. North Carolina.
June 1,1997.
(exhibition review).
Twardy, Chuck. The News &
Observer. “Art-Review:
Light-hearted theme toys with dark
ideas”.
Raleigh,NC. August 21, 1998. (exhibition review) "Looking
at
Land”.
Duke University
(exhibition
brochure); “Star Watch”.
What’s Up Magazine. April 14, 1995.
“Common Ground in the City”. January 20,
1995. (exhibition review)
“Going Green in the Triangle”. June 1993.
(exhibition review).
Towery
Publishing, Inc. Memphis, TN.
“Celebrating a
Triangle Millennium”. 1999. (photographs).
Whisnant,
Richard. UNC Publication: School of Government and
Environmental
Law. 2003. *textbook cover design(s) from my work.
Who’s Who in America.
26 –29th edition. Who’s
Who in the South/Southwest.
WRAL–TV. Raleigh, NC. Susan Dalene. P.M. Magazine. Interview.
June 1983.
Moonlighting Employment:
Hilde Gerst
Gallery. NY, NY. Gallery Assistant. 3/2000-12/2000.
Oxford
University Press. NY, NY.
Editorial Assistant. 3/2000-7/2000.
Donnelly
Advertising. NY, NY. Management Trainer. April 2000.
Barnes
& Noble Bookstore. Durham, NC. Supervisor. 8/1997-1/1998.
Volunteer
Involvement:
Numerous
Benefits & Art Auctions: Aides Research, Breast Cancer, community
fundraising for arts organizations & contemporary art education, Peace
Education Awareness, Environmental Protection, Literacy Projects, Violence
Prevention.
Academic Teaching Details: courses taught, faculty
assignments, participation.
Durham
Technical Community College. Durham, North Carolina
- Introduction to Film
History. Seminar
discussions and critical analysis of visual communication, viewing of
international, seminal films. Serves Humanities core elective.
- Art
Appreciation:
Seminar format with regular site visits to
galleries, museums, alternative sites. Cultural, gender and economic
perception/intellectual/sensibility development. Serves Humanities and University Transfer Division.
- Art
History Survey I & II. Focus on correspondent relationships
of visual and cultural models. Prehistory, European Non-Western and
Contemporary Art. Serves
Humanities and University Transfer Division.
- Website
development
for classroom lecture presentation usage and
student access related to lectures and class discussions. *enabling access
to class materials.
- Drawing
II & I. Introduction
to critical thinking using drawing
basics. Art & cultural Appreciation. Serves Humanities and University
Transfer Division.
Duke
University Craft Center. Durham, North Carolina
- Black
& White Photography: Introduction to camera operation,
film processing and darkroom techniques. Management of photography
darkroom facility, inventory control. Advisor for big-ticket equipment
purchases.
- Conducted
a workshop for photography & publishing club.
Meredith
College.
Raleigh, North Carolina
- Department
Organization:
Designed a sculpture curriculum and competitive
3D design program for professional application in interior design,
architecture, sculpture, and landscape design.
- Foundation
Drawing I:
Introduction to drawing basics. Art
Appreciation. Serves both
major & non major.
- Advanced
Painting:
Development of form & content. Oil, Acrylic.
Exploration of practical, historical & contemporary issues.
- 2D
Design: Introduction
to the fundamentals of order in
design. Serves art studio, graphic & interior design students.
- 3D
Design: Serves
Fine Art, Education & Interior Design
students. Introduction to the fundamentals of design concepts, materials
& tool use. Co-relations of mathematics, design in nature, sculptural
architecture, urban design, politics of furniture and interior design.
*****Studio organization, management & maintenance.
- Photography
I: Black
& white technical practices (camera & darkroom work),
image definition, narrative/theme development. Studio & Darkroom
Management. Studio lighting and art slide workshops.
- Beginning
Sculpture/Video, Intermediate Sculpture: Introductory experiences
in casting, carving & modeling, woodworking, additive construction,
mixed media, site-related, installation and video work. Visiting Artist
lectures. Serves Studio & Art Education Majors. **** 3D studio
development/construction, organization, management & maintenance. Tool
Repair. Purchasing, inventory control.
- Independent
Study:
Mixed Media. Installation, Photography. Studio
&Theory. Further exploration of skills and disciplines. Technical
& intellectual problem solving. Emphasis on content, theory and
individual interests. Serving all students with commitment.
- Drawing
II: Elaboration
on representational, abstract & non-objective
drawing basics, further exploration of content. Serves Art Majors.
- Life
Drawing:
Advanced study of the human and animal form.
Classical, modern and contemporary experiences of content explored.
(Substitute for colleague).
- Senior
Seminar & Exhibitions: Professional career skill
development and exhibition planning. Slide photography workshop of
artwork.
** Academic Committee Duties: Gallery Programming, Departmental
Development and Recruitment, Honors Program, Library Resource Development,
Scholarship Review Panel, Freshman Student and Parent Advising.
Additional contributions:
- Design/art
contest Juror.
- Gulf
War Teach-In:
Organized a highly successful seminar at Meredith College with
the college minister, faculty members and Middle East experts from Shaw
University North Carolina State University and Meredith College.
- Organized a Site-Specific Student
Sculpture
Festival:
In conjunction with departmental Open
House Events
- Tour Guide for NYC and D.C: Exploration
of city sites, museums & galleries, personal artist/writer studio
talks in NYC with Mary Kelly, Ed Kelleher, Casper Henselmann.
- Supervision of work-study students.
University of North Carolina at Chapel Hill
- Drawing
I: Introduction
to drawing basics. Art Appreciation. Serves both major
& non major. (Pond Lake - site-related outdoor floating sculpture
project created with student involvement).
University of Massachusetts/Boston
- Visual
Thinking:
Core curriculum course. Critical Thinking, Art and
Design Appreciation/Art History, Introductory Creative/Studio experiences
for the non-major.
Studio:
- Mixed Media/Painting/Installation/Sculpture/Drawing/Photography/Video.
- Non-traditional
painting & drawing processes.
- Extensive
knowledge of additive building methods and
materials/non-traditional mark making.
- Plaster/Cement/Clay
casting and carving.
- Paper mache’
with armature construction.
- Woodworking.
Wood Carving. *Use of wood lathe, laminating.
- Carpentry.
Use of extensive hand & power tool equipment.
- Clay hand
building. Kiln reconstruction. Raku firing, Pit Firing.
- Plastics.
Sheet construction, heat forming. Epoxy and Polyester Resin
construction.
- Arc welding.
Soldering. Metal bending.
- Mechanical.
Rebuilt a 1967 VW Bus (brakes, bearings, engine overhaul).
- Foundry
(Latex rubber, plaster waste mold making, direct casting, waste mold).
- Restoration
of painting and sculpture.
Video/Photography:
- Expert
Black & White printing. Experimental non-negative imaging.
- Colour
Slides Workshops. Photographing Art Work.
- Digital
Photography. Photo Journalism, Scientific copy work.
- Studio
Lighting and copy-stand documentation.
- Video Documentary.
Production and editing.
Gallery Management &
Curatorial:
- Awarded
curatorial grant for national art exhibition.
- Create
gallery goals and objectives/Co-ordination of artist &
institution affairs.
- Conceive,
develop and organize thematic exhibitions schedule.
- Fine Art
Installation/display design/conservation.
- Public/Media
Relations. (writing/preparing information packages).
- Public
Speaking. *Lectures on gallery programs.
- Coordinate
special events for college and community affairs.
- Develop
designs for graphics.
- Create
& coordinate Visiting Artist Lecture series.
- Handle
crating and shipping of art work.
Administrative Skills:
-- Motivating
and inspiring group action.
- Curriculum
development in college level studio art & designs.
- Developed
and maintained a 3D/Sculpture-studio facility for art department(s).
- Student
academic advising (freshman & upper level). Work-study
supervision.
- Proposal/
Report writing, budget and office management.
- Public
Speaking, coordination of lectures, seminars & panel
discussions.
- Supervision
of work-study students.
- Faculty
committee assignments.
- Grant Writing.
- Travel
Coordination for college groups.
- College
textbook review & editorial advisor for college
textbook publication.
- PC &
Mac Word processing. Database management. Web Content design.
Curatorial Projects:
SANDRA
MARLOW - FRAGMENTS FROM THE COLD WAR: a collection of
photographs, files, documents and interpretive art works concerning nuclear
testing. Durham Art Guild. Developed and assembled in the Education Gallery.
Durham, North Carolina. 11.5.98 – 1.3.99.
Artist/Activist and daughter of a military man, Sandra Marlow has collected
materials since her father's death prompting her to investigate the nuclear
industry and to collect the stories of government sponsored radiation
experimentation and nuclear related diseases.
”Fragments from the Cold War” contains some previously unpublished
photographs, illustrated documents, selected letters, declassified government
documents and art works about the "radiation survivor movement" and
their families. 'Radiation Survivor’ is a term given to civilian and military
personnel who participated in the development of nuclear weapons testing
during the Cold War (1945-1991). The survivors are uranium miners, Native
Americans of the Southwest and civilians living near nuclear weapons
facilities or nuclear power plants. Previous versions of this exhibition have
been shown at The John Cabot Library at Harvard University and libraries at Brown University and Tufts University. The artist
holds a Master of Arts degree from the University of California at
Davis. |
SEEDS: Southeastern Efforts Developing
Sustainable Spaces,
INC.
Durham, North Carolina. 24 August - 1 October 1998. Durham Art Guild.
Education Gallery. Carson Boone, photographer, documents the social urban
gardening program in Durham, North Carolina which seeks to rebuild and
regenerate the community by engaging young people in cooperative gardening
projects.
COAST-TO-COAST: URBAN/SUBURBAN BLIGHT
MBAE Municipal Building Art Gallery. Raleigh Arts Commission. Raleigh, North
Carolina. 11 July - 5 September 1996.
Artists: Geoffrey Bent. Glen Ellyn, Illinois; Bernice Cutler Halpern.
Wantagh, New York; Alexandra Feit. San Francisco, California; Joan Gerity.
Wilmington, North Carolina; Jason Hailey. Los Angeles, California; Carl
Knickerbocker. Chuluota, Florida; Roger Marshutz. Los Angeles, California;
Jim Respess. Charlottesville, Virginia; Caroleigh Robinson. Durham, North
Carolina; Sally VanGorder. Raleigh, North Carolina; Cara Walz. Kansas City,
Missouri.
The visual dialogue of this exhibition is similar to a dialogue among
citizens in a town meeting who are concerned about the ecological and
psychological effects of urban/suburban sprawl. The iconography is not
aesthetically functional. Instead, these artists do not seek to reflect a
romantic, idealist or antiseptic view of the physical and mental landscape.
Suburban isolation, questions of self and social identity, class struggle,
homelessness, materialism, media subterfuge, commercialism and DNA processing
are elements used to correspond, visually, to an awareness about the dynamic
experience of the human condition within a shifting landscape dominated by
automobiles.
*Article: Blue Greenberg. "Exhibit examines filth and decay of
modern life". Herald-Sun Newspaper, Preview Magazine. Durham, NC.
Friday, 19 July 1996.
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Meredith College: Frankie G. Weems Gallery (examples.
full list available).
- National Exhibition: Sculpture
and Working Drawings 1988.
- Digital Art.1989.
- Architect Dreaming (meanderings
and drawings) – Brain Shawcroft 1990.
- African Art – The Private
Collection of Bert and Editha Carpenter. 1990.
References:
Elizabeth Love, former Chair of Humanities. University
Transfer Program. Durham
Technical Community College. 1637 Lawson
Street. Durham,
North Carolina 27703. Office
-919.686.3641/Home - 919.419.2437. EMail: lovee@gwmail.dtcc.cc.nc.us
Maria J. Fraser-Molina. Dean of
Arts and Sciences. University
Transfer Department. Durham
Technical Community College. 1637 Lawson
Street. Durham, NC
27703. Office
(919) 686-3406. EMail:fmolinam@gwmail.dtcc.cc.nc.us
Peter
Wooldridge, Discipline Chair - Social Sciences & Humanities; Instructor -
Psychology. University
Transfer Arts, Sciences, & University Transfer. Phillips Building, Room 316. Durham
Technical Community College. 1637 Lawson
Street. Durham, NC
27703. (919)
686-3712
Email: mailto:wooldridgep@durhamtech.edu
Cathy
McLaurin, Special Projects Director. (former student). Essex Art
Center. 978-685-2343. 56 Island
St. Lawrence,
MA. Email: cathy@essexartcenter.com
Lisa
Pearce, Instructor. (former student). Meredith
College. Department of Art. 3800
Hillsborough St. Raleigh,
NC. 27607. Office –
919.829.8414/Home-919.852.1432. Email:
Sarah Bapst, Associate Professor (Thesis Advisor). Massachusetts
College of Art. 621
Huntington Avenue. Boston,
Ma. 02115. Office-617.232.1555/Home-617.354.5489. Email: sbapst@massart.edu
Sylvia
Nofsinger Physical Therapy student, Artist & Dancer. (former Meredith
Student). 2610
Arrandale Road. Midloathian,
VA 23113. Phone:
(804) 687-5455. Email: mailto:sylviasylviait@hotmail.com
Kathryn
James (Landscape Designer & former Durham Technical College Student).1632
Jamestown Ct. Chapel
Hill, 27517. 919-969-7393. Email: mailto:kjames@kcjames.com
